freeOK概要：Peykan (Persian: Arrow) is a car produced by the Iranian company Iran Khodro (formerly known as the "Iranian State") Industrial Group. From the late 1960s to the late 1990s, this car was very popular in Iran; [...] Hilder filmed this movie for Iran's national automotive assembly plant, which produced the country's first popular large sedan, the Peykan. Obviously, he made a bold bet with enlightened movie sponsors to create a movie based on his own taste without any narration: if Iranian citizens do not approve of this movie. He will self pay to make another movie that perfectly suits the company's preferences. This story is similar to Bert Haanstra's bet with the sponsor of his famous Oscar winning short film "Glass" (1959), which is widely recognized as "glass"; The most famous short film among all; (Bano, 1993:193). It was precisely after the smooth and enjoyable film about glass blowing that the term cin é - po è me was applied to a series of films, which seemed to have inspired various European countries where filmmakers turned industrial machines into abstract poetry. Now, with Iran's industrialization, cin é - po è me has also emerged there. (Hamid Nafisi)
Peykan (Persian: Arrow) is a car produced by the Iranian company Iran Khodro (formerly known as the "Iranian State") Industrial Group. From the late 1960s to the late 1990s, this car was very popular in Iran; [...] Hilder filmed this movie for Iran's national automotive assembly plant, which produced the country's first popular large sedan, the Peykan. Obviously, he made a bold bet with enlightened movie sponsors to create a movie based on his own taste without any narration: if Iranian citizens do not approve of this movie. He will self pay to make another movie that perfectly suits the company's preferences. This story is similar to Bert Haanstra's bet with the sponsor of his famous Oscar winning short film "Glass" (1959), which is widely recognized as "glass"; The most famous short film among all; (Bano, 1993:193). It was precisely after the smooth and enjoyable film about glass blowing that the term cin é - po è me was applied to a series of films, which seemed to have inspired various European countries where filmmakers turned industrial machines into abstract poetry. Now, with Iran's industrialization, cin é - po è me has also emerged there. (Hamid Nafisi)展開(kāi)
