freeOK概要：When Rosa was asked to apply sunscreen to her boss while hunting deer, it felt like a signal. Don Reinaldo's ranch is about to celebrate his farm anniversary, but the image of this passionate hunter is built on lies. Therefore, in rural areas, men are the main body of gratitude, and employees are the main body of gratitude. Women diligently and meekly combine all of these together, and the social life of this micro world begins to crack. Day after day, being ordered, in her class conscious environment, those people did not notice that the humble Rosa gradually became a catalyst for change. When Don Reynaldo's extended family twisted themselves to save the old order, the men began driving pickup trucks to the farm. Their appearance and threats at the banquet were enough to make the elderly patriarch worry about his own life and family, and force him to take action. Everything from the past has been observed by the animals, either as spoils on the walls or livestock going to the pasture, as if feeling the end of the old hegemony. Alejandra M á rquez Abella is acutely aware of how to use the omens of change to describe the epoch-making transformation of Mexican rural areas - as seen by those who are usually demoted to passive supporting role.
When Rosa was asked to apply sunscreen to her boss while hunting deer, it felt like a signal. Don Reinaldo's ranch is about to celebrate his farm anniversary, but the image of this passionate hunter is built on lies. Therefore, in rural areas, men are the main body of gratitude, and employees are the main body of gratitude. Women diligently and meekly combine all of these together, and the social life of this micro world begins to crack. Day after day, being ordered, in her class conscious environment, those people did not notice that the humble Rosa gradually became a catalyst for change. When Don Reynaldo's extended family twisted themselves to save the old order, the men began driving pickup trucks to the farm. Their appearance and threats at the banquet were enough to make the elderly patriarch worry about his own life and family, and force him to take action. Everything from the past has been observed by the animals, either as spoils on the walls or livestock going to the pasture, as if feeling the end of the old hegemony. Alejandra M á rquez Abella is acutely aware of how to use the omens of change to describe the epoch-making transformation of Mexican rural areas - as seen by those who are usually demoted to passive supporting role.展開
